Weekend Songs: Fred Thomas / Small Houses / Eddie Logix & Britney Stoney

Fred Thomas - "Bad Blood"
Those kinds of songs that stop time... It halts your wandering mind in a calming sort of embrace (despite its dissonant and nervy synthesizer loops and caustic cymbal crashes) and the singer's voice, a cadenced speech, clenched and shivering and beautiful, confessional vocal tumblings over a slamming live drum kit half-muted behind droning organs and another drum machine's blurring blips beating at upwards of 200 bpm...
The song is a strange exercise in dichotomy, meditative, yet manic. Thomas has proven, over the last two decades, to be a perceptive lyricist with an understated poetry to his wended words, often barreling his naive melodies over timeless-sounding lo-fi surf-pop that could have been 1961-ish as much as 1991-ish... But not here. Thomas has never sounded so frustrated, if still cryptically coding the certain curse he's shaking off. The dark-electronica aesthetic brings a new shade of gloom, but it's more like an exorcism of frustration.
https://soundcloud.com/polyvinyl-records/fred-thomas-bad-blood-1


Small Houses - "Staggers And Rise"
Singer/songwriter Jeremy Quenton once called Michigan home over the last five years, as he's began flourishing his musical project, Small Houses, he's since turned into a veritable bookmobile of songs, ever traversing the greater 48 states and settling where (& when) he can, the epitome of the touring DIY troubador.



His past recordings echoed the aesthetic of a fragile folk with solemn and sophisticated songs evoking the mystique of the outdoors and its enlightening offer of escapism, but with his recently released Still Talk, Second City, he's filling out the sound with electric guitars, full drum kits and dialing up the raspy Americana warble & twang for a bracing burst of rock-infused alt-country, with the worn words from a heaving voice sounding as thought it's reached the top of a mountain, now, and is looking back down at the trail recently cut, only to breathe deep and head into the brush anew. Compared to the higher, whispery vocal deliver of his youth, there's a telling amount of gravel and grit at the corners of his curled incantations, a voice that's been up late in coffee shops and bars and up the next day to write and sing again.
http://www.smallhousessing.com/


Eddie Logix & Britney Stoney - "Air Balloons"
Beat-master Logix mixes together a pleasant blend of cerebral moods with late-night/slow-dance propulsion, blending blippy trip-hop atmospherics, sprightly dance/electronica percussive clasps and a coating of spacious dream-pop synths under the soothing and soulful voice of Britney Stoney, "...making moves, it never stops, it never ends..." she sings with a poignant ache in this distinctive up-and-down cadence yet her intonation is kept so cool, so smooth, soaring with an ease akin to the song's namesake. Ears should be kept open for whatever Stoney sings next...



https://soundcloud.com/eddielogix/airballoons/s-5bPJa

Dwelling Lightheartedly In The Futility Of Everything

Singer/songwriter/artist Matthew Daher has been "Dwelling Lightheartedly In The Futility Of Everything" for four years, exploring groove-driven songwriting and production guided by electroacoustic gesture and manipulation (using a fader to manipulate synthesized sounds, often improvisational).

"Dwelling" is the name of the E.P. that the Detroit-based producer is releasing on Friday (with a showcase at MOCAD, part of the launch for their Detroit Stages series). 

Daher released a single from the forthcoming "Dwelling" EP (streaming below). You'll notice the wending, curled tones, skewing into capricious melodies over clasping, punchy percussion and the syrupy, soulful voice of Daher, itself given an ethereal quaver... It's like a musical mobius strip, syncing together space-lounge jazz and electro-R&B.

Daher is also influenced by celestial and inverted inflections of ambient noise experimentation and the detached yet contemplative intonations of post-rock along with the darkly beautiful enticements of imitable stylists of left-field hip-hop and noctural, jazz-inflected beat-driven ruminations like J. Dilla and Georgie Ann Muldrow.

While there's plenty of elements of smooth neptunian soul and head-nod-able R&B, there are refreshingly erratic moments that lurch and distorts the meter and stutters the time signatures for surges of synthesizer freak outs or for everything to pull away to push forward a staggering vocal solo (as is the case with singer Emma Frank's cameo on "Hanging Over Hanging On." (It's this track, by the way, where the Bjork influences will shine through...)

"Dwelling" will be released on Feb. 13 at MOCAD. For the concert, Daher is directing a multimedia show featuring works from and performances by seven different video artists and six movement artists with each of their respective presentations crafted around the songs on the EP.

INFO:
Listen: http://matthewdahermusic.bandcamp.com/

Event: https://www.facebook.com/events/1522338081378679

DETROIT STAGES: Matthew Daher EP release party

Friday, February 13 at 8:00pm

Museum of Contemporary Art Detroit (MOCAD in Detroit, Michigan

Single: "Drip Down" ttps://soundcloud.com/matthewdahermusic/drip-drown/s-D2idC

Still from upcoming  music video for ""…And Collide WIth Lively Hands Beyond You"

Jamaican Queens - Bored + Lazy EP

You'll know this noise, you've peaked this kinda post before...propping the next unbelievable, the subsequent stupendous, the spectacular new sound, ...so uncannily fresh, so of the now, so never-before yet so fit for the ears of the edgy and the eclectic, the new esoterica, the bass that launches a thousand tweets...

But the concepts come into fruition now. The style materializes at its clearest. We see the group, the band, the artist... The new song(s) by this Detroit-based trio...



I know plenty of blogs all around have already been magnetized to the murky-funk jolts and jerky post-trap sludge of these pop-poets ...whisked under thorny cloaks of dark and staticky synths with crisp guitars, pianos, snappy drums and reverb-slapped vocals sporadically spiking through to the top of the  mix to shine a little light...

That's Jamaican Queens.

And it sounds, much more than before, that, after 2+ years of experimenting with wayward, wraith-like mangling of hip-hop and doom-pop, that they've found their voice, their groove, their knack, however you wanna put it... Here we go...
BWO Mishka Records, the Bored + Lazy EP...
ft.
Kevin & Dantiez Saunderson Origins Remix

Coyote Clean Up's Bedroom Eyes DubNick Speed Remix (Feat. Dopehead) 

A Night of Narrative Performance: Within Many Realms - Feb 8

WITHIN MANY REALMS

Feb 8 @ Small’s Bar
10339 Conant, Hamtramck, MI 48212


313.659.8666.

MODERN CABARET TRANSCENDS THEATER; STAGES PERFORMANCES ‘WITHIN MANY REALMS’

Storytellers defy genre, incorporating music, film and puppetry into their work

Musician, programmer, 3D-print-designer, writer, performer and inventor, Onyx Ashanti, hopes to leave hundreds of homemade 3D-printers in his wake when he eventually departs Detroit. The Mississippi native and philosopher built his own printer for less than $100 (in parts) so he could craft (and essentially invent) an instrument called the  "Exo-Voice," which was originally modeled on a saxophone but now operates somewhat like a theremin. It's an experiment of syncing the voice and gestures with an intriguing new timbre intoned through this new instrument. 

Though he's given multiple TED talks since 2011, Ashanti has yet to debut the latest manifestation of his invention and his music. On this Sunday, Feb 8th, Ashanti will unveil his most recent work at Small's Bar. 

Click the LINKS below to learn more about Ashanti and the line up of performers 

The evening will be a showcase of local narrative talent with a colorful array of artists, writers and spoken-word performers, including NoOvaHead (a renowned Congo-fusion percussionist and comedian using music and jokes to provoke his audience into looking deeper within the self). Brain Rottar, the intriguing audioproject of visual artist Dan DeMaggio will take the audience on a journey with his latest narrative program "Nonviolent Scenarios."

The night also features Moth StorySLAM champion and sometime master of ceremonies Phreddy Wischusen and esoteric comedians Joey Landis and Dan Clark, the latter performing before a backdrop of digital images created by virtual artists Renee M. Dooley and Laura Finlay. 

Musician/artist/healer VnessWolfChild will present "Return" where the artist emanates a drone orchestra while human sized worms slowly move towards the sound, essentially embodying Earth calling "...for the return of those separate from her" while providing "...a space for the contemplation of Earthworm." 

Recent Knight art PuppetLAB performer Colette Czamecki will also use puppets for "One Star Bright," a multi-media extravaganza combining puppetry with 16 mm film and original music from members of local rock outfit Mountains and Rainbows. This is only the second time Czamecki will have performed this storytelling "...through puppetry (showing) the magic of those inanimate in an extended realm of life..." 

Wischusen is aware that these conceptual performances may sound strange, but he believes that the evening of talent that he has curated guarantees an "accessible and enjoyable" evening "...filled with life! The whole night is designed to be an exploration of existence, by and for those who are in love with the universe,” Wischusen says.

“Within Many Realms: A Night of Narrative Performance” takes place at Small’s Bar (10339 Conant, 
Hamtramck MI 48212). Admission is $10. 
For more information, visit https://www.facebook.com/events/833562156708895/. 

LINKS":

Onyx Ashanti (beat jazz/exo-voice)

http://onyx-ashanti.com

https://www.youtube.com/watch?v=-0v7mTvJ8M4

·      VNESSWOLFCHILD
“Return” (Interactive Ritual Healing Performance Art) https://soundcloud.com/vnesswolfchild

·      Phreddy Wischusen (spoken word)

 www.phreddywischusen.com

·   
 NoOvaHead (Congo fusion/comedy)

http://vimeo.com/efebesdrums

·   
 Colette Czarnecki’s “One Star Bright” (puppet show) http://puppetlab.weebly.com/2014-participants.htmlhttp://puppetlab.weebly.com

·   
 Brain Rottar performing “Nonviolent Scenarios”

https://soundcloud.com/brian-rottar

·      Renee Dooley

http://www.blacdetroit.com/BLAC-Detroit/July-2011/The-Great-Ones/

https://www.facebook.com/pages/The-Night-Journey-DeadSouls-Dolls-and-Collages-by-Renee-M-Dooley/759406127454213

·
Laura Finlay

http://cocodomecollage.tumblr.com

Heart String Soul by Ryan Allen & His Extra Arms (Album Preview)

Ryan Allen's been singing and shredding out pure indie-pop songs for nearly ten years with bands like Friendly Foes, Destroy This Place and his solo set Ryan Allen & His Extra Arms... 

Before that, though, he was a young turk tumbling into the Detroit scene during the early 00's just as "garage-rock" branding was becoming passe and he started specializing in what Pitchfork would call "spaz-punk..." That, namely, was Thunderbirds Are Now, a rock quartet that cut the breaklines of their tempos and sped up the snarl and frazzle-fits of punk until it crashed into the guitar-splattered wall of indie-rock, essentially a more noodly-legged remedy reacting against the static-stance of new-millennial shoegaze-types like Interpol.

I can't help getting that vision of Ryan and his brother Scott and TAN from a show I foggily recall, ten years ago, on the outskirts of Michigan State's campus, the pair of them in constant motion as if their recital were a game of freeze-tag they were intent on winning. Oh, and it was loud. Lots of feedback too...

But this is Ryan Allen's all-grown-up-now record...the record he couldn't have made without all the wild, senseless, exciting, stressful, wonderful experiences of the last 15 years, many of which are lyrically recounted on the songs of Heart String Soul.

Some songs are softer, minimalist vocal-pop settlers for the contemplative evenings while others are aerobic blare-outs for showcasing his sustained abilities for a great guitar solo. Richly resonant acoustic guitars strum and unspool under sentimental folk-pop lyrics charmed with a wry self-deprecation dropping dates and venues, offsetting events and licked wounds from lessons-learned. Other jams, meanwhile, continue the surfy tempos and jangly guitars that all but punch their hooky riffs into you under his characteristically high and hazy singing voice.

But this time, not only are those electric guitar "freakouts" displaying a more focused aggression in their crescendos, his lyrics are some of the most manifestly autobiographical & heart-on-the-sleeve I've heard in a while... Ryan sings both to the defiant youths who are now coming up behind him as well as appealing to his reflective nostalgics who remember music magazines and cassette tapes, a meditation on how those exciting and hot-headed days are long gone that seeks to emboss the self-actualizing work it hath wrought upon him, now that he's on the "wrong side of" 30 with a life and a family... The lyrics, sung straight from the heart and seeming plucked from his happiest emotions to his most nerve-wracking anxieties, come straight from the heart...(all puns intended, re: album title).

There's honesty here that was lacking in his past songs; whereas he might've penned lyrics with a cryptic wink encoded with scenster slang in the past, he's looking the listener straight in the eye now, telling him in plain English his thoughts and revelations, still cadenced, of course, to a buoyantly catchy melody and belted out with breathless passion.

Perhaps the much-younger Ryan would roll his eyes and consider some of these songs overly sentimental... But that doesn't seem to matter to present-day Ryan. There's a new kinda comfort and coolness here that doesn't seem to care about quips from the comment bin.

There's a song for his parents (and by extension, a song for his brother), a song for his young son and, streaming below, a song for his wife. Not only is he honest and, by extension, more confident in his words, he's also unafraid to take jabs at himself and that's achieved best by his self-referential "Should Be Me," (also streaming).


Songs (Heart String Soul)

The songs feel right, and they come straight from my heart. --Ryan Allen on Heart String Soul

Andy Reed (Verve Pipe) mixed and mastered the album on analog equipment and it will be released via Allen's own Two Brains Records. The album comes out physically (CD) and digitally on March 25.

LINKS

extraarms.tumblr.com

extraarms.bandcamp.com

facebook.com/ryanallenandhisextraarms

twobrainsrecordingco.tumblr.com

Weekend Songs: The Witches, Moonwalks, Ill Itches, Santiparro

Songs I can't get out of my head...for the weekend of January 23


1.) The Witches - "Perfect Monster"

The first Michigan band I interviewed, the first Michigan band that both inspired and haunted me so much so that I was drawn, like a stumbling zombie toward the gothic manor of Bela Lugosi, into the surreal worlds they brought into existence with their psychedelically-crunched bubble-gum grit and grime, glorifying midnight monster movie aesthetics and pondering the the lives and the loves that could be wrought and won in some fantastic spirit realm.





2.) The Moonwalks - "Sheiks"

I'm three months late on this Detroit quartet's EP (which already got buzz from CREEM Magazine), but, then, I'm could also two months early for their first full length (coming sometime in the late winter of this year). "Shieks" reverb-wrapped guitar slithers and chirps over weaving, punchy beats and echo-quavered vocals, conjuring a neon blacklight basement space-out in an incense-clouded clubhouse, a coo cloister at edge of the vast, mirage-filled desert of psych-pop.

Moonwalks join a line up for the new Seraphine Collective residency, "Last Thursday" at PJ's Lager House, featuring Prude Boys, Best Exes (Jim Cherewick & Linda Ann Jordan) and Rebel Kind, January 29. Info: http://on.fb.me/1xy3mZa




3.) Ill Itches - "Hallelujah"

Ill Itches guitarist Josh Woodcock and YUM's singer/guitarist Elise Poirer are headed to Japan this season. They will be greatly missed.
This show, featuring Citizen Smile, Nigel & The Dropout, YUM and Le Voyage  is a going-away party as well as a grander nod to the bond these bands have  built over the last year & a half through various shows throughout the region. January 31 at The Loving Touch, info here 



4.) Santiparro - "The Benefit Of Confrontation"

Michigan's own Santaparro Alan Scheurmann will be releasing a long awaited full length album next month titled True Prayer. (February 12 on Gnome Life Record). This startling and beautiful album is filled with revelation and insight, sung in a soft, creaky voice emanating like a calm brook or the soft waves of a spring wind, written from the mind/soul & heart of a man whose experienced several life changing experiences over the last six years. While the themes and subjects treated involve shamanic ceremonies and roadmaps through the spirit world, it's also an exemplary addition to the cerebral genre of psychedleic folk music, soothing, engaging...and, if one listens intently enough, enlightening. Santiparro means "the lens that sees things not usually seen..."
This song features Will Oldham (Bonnie "Prince" Billy), with other contributors on the album including Kip Malone (TV On The Radio), Adam Wills (Bear In Heaven) and more



Suggested reading: Phreddy Wischusen's heartfelt essay leading up to the completion of this record from 2014.

The Vaselines

Among the handful of artists (Raincoats, Meat Puppets, Daniel Johnston,) that the grunge messiah (Kurt Cobain) championed, The Vaselines won the title of being his "favorite songwriters in the world." Nirvana went on to cover three of the Glasgow duo's songs. Praise from that era's contemporary Caesar, more or less...but songwriting duo Francis McKee and Eugene Kelly, having started The Vaselines almost 30 years ago, have earned the acclaim with their most recent V For Vaselines (Sub Pop). 

Expanding (and lightening) the filled-out pop/rock sound of 2011's Sex With An X, Kelly and McKee bring crunchy, driving guitar chords, upbeat tempos and breezy melodies into an overcast cloud of coolness with hazes of distortion and raw riffs. With V, they continue to utilize the pleasing counter melody of their complimentary voices sewing throwbackish pop melodies to strutting beats, in and out in just three minutes, most of the time. Certainly evolved beyond their original lo-fi aesthetic, sweet, swaying lullabies like "Single Spies," with it's willowy guitars and delicate chimes, are like downplayed bursts of sunlight.



The Vaselines perform at Ferndale's The Loving Touch Tuesday evening with Amanda X.   Info: http://on.fb.me/1zrqoXy

Weekend Songs: Gosh Pith, Viet Cong, The Dodos

Songs I can't get out of my head for this weekend, January 16th

Gosh Pith - "Window"
Gosh Pith's latest starts out soft, slow and small... till the clanging percussion claps in and the echo-blurred vocals crackle onto the soundscape in that characteristic whisper-croon that these two young groove-pop prodigies have been perfecting over their first year & a half of existence. Sequenced beats and dreamy synths have been a calling card for them, but on this track, along with that charming bouncing ball rhythmic hook after the second chorus, they allow some other elements, namely that syrupy-static fuzzed guitar, to shine...


Gosh Pith perform Friday, Jan 16 at Arbor Vitae (336 1/2  S. State Street) @ 9PM
with Man Vs. Indian Man, Little Animal and Jonah Baseball. Info: http://on.fb.me/1CfDt3s

Viet Cong - "Bunker Buster"
The gaunt guitars are so caustic and terse they all but take the wind out of you, a droning feedback fills any open spaces between verses while the vocals, delivered with half a sneer and half a howl, find that supernatural sweet-spot between post-punk yowling and new-wave crooning. The musical bedrock of the song, though, has an uncannily enticing pallor to it, with all it's keys bent towards an atonal minor murk... For those lovers of ol' timey Gang Of Four and the darker shit from Liars and Interpol...this is the band you've been...oh you know how the cliche goes.... waiting for...


Viet Cong are starting a UK tour, soon. More info on their self-titled debut here: http://n.pr/1DAplWD

The Dodos - "Competition"
This indie-rock duo dropped this single at the end of 2014, but it bares re-spinning (in case you missed it). The wailing whip of the guitars around the corners of the verse and through the bridge, the hyper-fast percussion kicking along under the word-packed vocals (harmonized nicely, per their signature singing approach), with an ebullient vocal melody waving its way through the chorus. Put the headphones on and listen to just how much janglin' is going on in those furiously strummed acoustic guitars...


The Dodos will come to Ann Arbor, MI in March
Playing The Blind Pig on March 5 with Springtime Carnivore

Speaking of Springtime Carnivore...that's another one of my favorite late-2014 finds...
Try and get this whistled melody out of your head... The soft strings bending through the verses over those strutting drums, jaunty pianos and just enough reverb reared over the soft vocals... Makes January feel like early September...

Last Stop Sundays (presented by At Willoughby)

Jan. 27 @ The Berkley Front


Ceremonies, however, subtle or casual, can supplement the certain camaraderie intrinsic to the idealization of "...a scene." Well aware that, to establish your foot print on the scene, you the band, will have to hit the usual circuit of bars/venues and play amped up music under boomlights, often expected to scream your head off, break a few strings and drop some sweat on the wooden stage. 

Every now and then we need a slightly different atmosphere to be struck, though, at these "ceremonies" of ours... We need opportunities for these bands to show some of the other sides of their songwriting or performing styles... 

The first in a new series of monthly concerts can offer that... 
Alan Sowinski, singer/songwriter who records/performs under the moniker At Willoughby, spearheaded the Last Stop Sunday's series -to be hosted on the final weekend of every month at the Berkley Front. 

Yes, it's a "school night" for us, but the event will be early: 6 - 9 pm / $4 at the door. And the vibe will be much more chill than the tacit dress-to-impress posturing that can inevitably be struck up by the fast-blast boogies of an electric Saturday show. 

The idea is to give bands and individual songwriters to try something different, be that unplugging and going acoustic or bringing out some new or forgotten songs that they were heretofore hesitating to try out during a typical electric-set...

Sowinski has been writing, recording and performing as At Willoughby for several years, but this gesture is one of his biggest forays into the scene to date. Expect to see him out, performing live, much more often in 2015. 

He kicks off the first Last Stop Sunday with singer/songwriter Jeff Howitt (from Duende), Adam (from Futurebabes) and Poor Bastard (featuring Jaye Allen Thomas of Rogue Satellites and Serene Arena from Dutch Pink). 

Music Videos

Oscillating Fan Club - "To The Dogs"


The Oscillating Fan Club sounds via bandcamp


Mic Write and Doss The Artist - "H.O.M.E.S."


Mic Write latest, Code Green via bandcamp



Gosh Pith - "Smoke Bellow"


An article on Gosh Pith and their upcoming show in Ann Arbor, here: http://www.ecurrent.com/January-2015/Weekly-Whats-Up-Albums-Of-The-Year-Part-5-5/#.VLA4tyvF-So

Secret Friends Fest part deux - Fri/Sat (Loving Touch)

"Secretly..." says Jason Stollsteimer, "everyone who goes out to a show wants the same thing..." 

Whether they know it or not, showgoers and bands, audience and performer alike, want to tie themselves into an ineffable experience, something to be shared in a darkened environment where there isn't the scrutiny of fluorescent lights, no tacit demand for polite demeanor or the tense guard of minding P's and Q's or even a need to seem normal so that the rest of the bustling workaday rat runners don't look at you funny... 

And it's an experience, a place, a destination that's benefited by the ideal soundtrack. The best songs, the loudest songs, passionately performed by those whom you consider to be your true friends or your... "Secret Friends." The Friends you meet out here, after hours, away from work, away from the bills you pay in the morning, away from the bull shit that stresses you out in the afternoon... 

"Everyone wants to have fun," said Stollsteimer, a longtime fixture of the Detroit rock scene with bands like The Hounds Below, Von Bondies and, recently, PONYSHOW. "Everyone wants to meet new people, forget about your day, whether work or school or whatever and to discover new things together, be they another band or another person to fall in love with..." 

Jason Stollsteimer has organized the 2nd annual Secret Friends Fest after the success of last year, hosted right around this time of year at The Loving Touch. "Last year worked great, both nights sold out." The lineup for this Secret Friends Fest Part Deux, happening Friday and Saturday at the Loving Touch, is listed below. "The goal last year, besides just having fun, was to introduce out-of-state bands to Michigan bands." 

Twin Peaks comes to us from Illinois, Max Jury is from Iowa, Nox Boys from Pennsylvania and Brian Olive from Ohio... Just for starters.Then, Detroit fans will be treated by notable neighbors like Mexican Knives, Eleanora Nigel & The Dropout (pictured above,) and, from as far out as Grand Rapids, Valentiger. 
Two nights; 20 bands; secret friends. 

"It's eight bucks per night," said Stollsteimer. "That's .6666 cents / band if you go both nights!"  

It's a night to build bridges between varying scenes across state borders; a chance to remember that the tired cliche of competition, edging another band out for the glory of being the biggest band in the scene should be set aside in an era of Internet-whimsicality that finds the DIY artist as uncertain as ever and, hence, in need of as many "friends" as possible. A night, as Stollsteimer put it, to just remember why you go out to these shows in the first place...

Secret Friends Fest Part Deux 


FRIDAY
JAN 9th
Doors at 8pm

Main Stage
12:45am -Mexican knives
11:30pm - Brian olive (OH)
10:30pm - Siamese
9:30pm - Eleanora

Side Stage
12:15am - Nigel & the dropout
11pm - Blaire alise & the bombshells
10pm - Vamos (IL)
9pm - Little Animal


SATURDAY
JAN 10th
Doors at 6pm

Main Stage
12:30am - Twin peaks (IL)
11:30pm - Valley hush
10:30pm - Cold blood club (NY)
9:30pm - Maxwell jury (IA)
8:30pm - Valentiger
7:30pm - Mover//Shaker

Side Stage
12am - Moonwalks
11pm - PONYSHOW
10pm - Dead broke (CAN)
9pm - Nox boys (PA)
8pm - Darn wishes
7pm - Pines